Manuscript editorial router
Skill dinaf2026-web/manuscript-editorial-suite/manuscript-editorial-router
Genre-agnostic editorial team for novelists — 8 Claude Code skills (publisher critique, continuity, fair-play, prose immersion, KDP listing, canon ledger) driven by an auto-detected per-book profile.
npx -y skills add dinaf2026-web/manuscript-editorial-suite --skill manuscript-editorial-routerAssembled from the repository path, not quoted from the project. Check it against their README if it does not work.
One thing to look at
- 0 stars0 stars. Stars are a popularity signal and not a quality one, but at this level it is likely that nobody has read this closely except its author, and you would be relying on your own review.
What its author says it does
Copied from the file, not written here
Routes a broad or ambiguous editorial request to the right pass(es) in the Manuscript Editorial Suite. Use when the ask spans more than one kind of feedback or it's unclear which is wanted — "review my book", "give me editorial feedback", "is this ready", "go over this chapter", "full editorial pass", "what should I check". Picks among manuscript-publisher-critique, manuscript- continuity-audit, manuscript-fair-play-audit, manuscript-prose-immersion-audit, and manuscript-listing-critique, runs them in the right order for the book's genre, and hands off. Does not itself critique, score, or rewrite — it only dispatches.
SKILL.md
5.6 KB, ~1.2k tokens by cl100k_base, as published. Nobody here has run it
Manuscript Editorial Router
Decide which critique pass(es) the request needs, then run them. Do not produce a critique yourself — your output is a routing decision plus the dispatched skill(s). If the request already clearly names one pass, skip the routing prose and run it.
STEP 0 — Resolve the project profile
From the current working directory, walk up the parent folders for
.manuscript/profile.md.
- Found → read it. Its
genreandpassesdecide which passes are even applicable (e.g.fair-playonly for mystery/crime/thriller). - Not found → invoke
manuscript-profile-setupto create one, then continue. If the author declines, route with genre-general defaults and say so.
The five passes
| Pass | Skill | Use when the ask is about… |
|---|---|---|
| Craft & acquisitions | manuscript-publisher-critique | whole-story quality, "is it good / would a publisher take this", scoring, an editor's letter |
| Continuity / canon | manuscript-continuity-audit | contradictions of the book's bible, drifted details, internal inconsistency |
| Mystery logic | manuscript-fair-play-audit | clue fairness, plant→payoff, "does the solution hold up" (mystery/thriller only) |
| Line craft | manuscript-prose-immersion-audit | line-level immersion (diagnosis only): "line audit", "is this immersive", "talking heads", info-dumping, filter words |
| Sales surface | manuscript-listing-critique | blurb / back-cover / Amazon description / categories / keywords |
Supporting (not a critique pass): manuscript-canon-ledger — the living,
versioned canon store the continuity pass reads before auditing. Route directly to
it for ledger maintenance: "update the ledger", "record a canon change", "is
this canon", "resolve open question", "seed the ledger from book N".
Routing rules
- Disambiguate overlapping phrases by object, not verb:
- "would this sell" + a manuscript/chapter →
manuscript-publisher-critique;- a blurb/description/listing →
manuscript-listing-critique.
- a blurb/description/listing →
- "check the plot logic / does it hold up" about clues and the solution →
manuscript-fair-play-audit; about overall craft → publisher-critique. - "did I get the details right / does this break canon" → continuity-audit.
- "line audit / is this immersive / kill the info-dumping" → prose-immersion-audit (line-level, diagnosis only), vs. a macro "is the voice working overall" → publisher-critique's Voice row. A request to rewrite prose is neither — route it to the author's writing/voice skill.
- "would this sell" + a manuscript/chapter →
- Manuscript vs. listing is the first fork. Selling copy or metadata →
manuscript-listing-critiqueand nothing else. Story content (scene, chapter, outline, manuscript, query) → one of the other four. - Gate by genre. Only run
manuscript-fair-play-auditif the profile's genre is a mystery/crime/thriller (orfair-playis inpasses). For a memoir, literary novel, or romance with no puzzle, skip it and say why. - Order when multiple passes apply (run sequentially, report each separately):
manuscript-continuity-audit— catch canon/consistency breaks first; they cap the craft grade.manuscript-fair-play-audit— if there's a mystery to judge.manuscript-prose-immersion-audit— the line-level craft pass on the scenes.manuscript-publisher-critique— the macro craft/acquisitions read, last, so it can reference the prior findings.manuscript-listing-critiqueis independent — run it only for listing material.
- Broad asks default to a full pass. "Review my book / is this ready / full editorial pass" on a manuscript → continuity → (fair-play if applicable) → prose-immersion → publisher, in that order. For a long manuscript, prose-immersion can sample representative scenes — say which it sampled.
- Only one obvious pass? Skip the routing explanation and invoke it directly.
- Genuinely ambiguous and consequential? Ask one short clarifying question (e.g. "craft read, canon check, mystery-logic check, line audit, or listing copy?") rather than guessing.
Running a selected pass
After selecting the pass(es), for each one load that skill's SKILL.md and its
referenced files, then follow that skill's required output exactly. Do not
produce a critique from the router body alone or paraphrase a pass's format — the
value is in each skill's own report structure. Run the passes in the order decided
above and present each skill's output as its own clearly-labeled section.
Output
Lead with a one-line routing decision — which pass(es), in what order, and why — then load and run them. Example: "This spans continuity and craft → running continuity-audit first, then publisher-critique." Keep the routing note to one or two sentences; the value is in the passes, not the dispatch.